The classic 1981 horror movie The Monster Club, starring Vincent Price, Donald Pleasance and John Carradine as monsters, included a cast of cannibals, vampires, werewolves, ghouls and a hybrid creature called a “shadmock.” Among this group of misfits, the only outcast was an ordinary fat girl.
Hollywood did not invent the concept of the fat-monster. In 1770, an English miller named Thomas Wood became the world’s first weight-loss celebrity. Promoting “abstemious warfare,” Wood was known as “Monster Miller.” At 43, he suffered from obesity, along with arthritis, gout, indigestion and “raging thirst” (possibly diabetes), as well as almost suicidal depression.
However, Wood transformed himself “from a monster to a person of moderate size; from the condition of an unhealthy, decrepit, old man, to perfect health, and to the vigor and activity of youth” by following the diet regimen described in Luigi Cornaro’s 1558 book The Life of Cornaro. Wood was highly regarded by his clients, visiting admirers’ homes and regaling them with stories of fat people suffering ghastly deaths.
The obese were not always considered monsters. On the contrary, until recently they were often revered. Historically, in most societies, obesity implied wealth and health — expensive epicurean habits and no tuberculosis, cholera or other wasting illnesses. Only now, when fat people outnumber the lean by two to one in many countries, has obesity become the last acceptable target of public discrimination.
Consider the Venus of Willendorf, a small statuette discovered in Austria in 1908 by archeologist Josef Szombathy. She has a huge abdomen, enormous breasts and large buttocks, hips and thighs. At around 25,000 years old, she was considered perhaps the world’s oldest piece of figurative art, until September 2008, when archeologists discovered an even older piece — an ivory figurine from southwest Germany — estimated to be 35,000 to 40,000 years old. Remarkably, it, too, is a small statuette representing an obese woman: the Venus of Hohle Fels.
Much conjecture surrounds these discoveries. They are generally assumed to have been either fertility symbols or Mother Goddesses. One theory suggests that they were prehistoric equivalents of Playboy magazine’s Girl of the Month. Whatever their significance, they were evidently objects of reverence, not disdain.
Many great historical figures have suffered from obesity without discrimination. Former US president William Howard Taft and former British prime minister Winston Churchill were obese, as was Britain’s Queen Victoria. Great writers and artists — Henry James, Gioacchino Rossini and Alfred Hitchcock, for example — carried their weight without public humiliation.
However, even in the fat-friendlier past, the overweight faced the harsh verdict of medical critics. In 1839, for example, British doctor J.G. Milligan wrote that the obese possess “indolence and apathy … [and] laxity of fibre.” In 1924, French physician Jean Frumusan described the “torpid” obese: “Pale and puffy, whose flesh is swollen as if by liquids. Their emotivity is always exaggerated and although cloaked by an apparent indifference, their exaggerated sensitivities make their lives a perpetual tragedy.”
Nowadays, Western societies tend to blame the victim, especially when it comes to obese children. In J.K. Rowling’s immensely popular Harry Potter books, for example, the author freely describes Harry’s obese cousin, Dudley, as “a pig in a wig.”