Tue, Sep 16, 2003 - Page 9 News List

Indian TV soap opera hopes to prevail over prejudice against girls

By Jane Hughes  /  THE OBSERVER , NEW DELHI

ILLUSTRATION: YU SHA

A woman in a Delhi hospital bed weeps with relief on hearing that her premature baby girl has survived a Caesarean delivery despite her husband's hopes that the operation would kill the child.

The scene -- a pivotal moment in a new Indian television soap -- is liberally dosed with Bollywood melodrama, but the issue is horrifyingly real as the scale of the problem of cultural preference for boys in India is becoming apparent. And the issue has created a booming industry in sex-selection abortion.

This soap, funded by international development charity Plan and backed by the Indian government, is meant to raise awareness about the widespread abortion of unwanted female babies.

Use of pre-natal gender screening was banned in 1994, but the law has been widely flouted and it is now big business. According to the Campaign Against Female FFeticideeticide (Caff), 90 percent of the estimated 3.5 million abortions in India each year are to eliminate girls.

The social consequences are already being felt. Between 1991 and 2001, census figures show that the number of girls for every 1,000 boys up to the age of six dropped from 945 to 927. Normal birthrates on average produce 105 boys for every 100 girls.

In Punjab, the worst affected state, there are fewer than eight girls to 10 boys. Sex ratios are now so skewed that young men in some Haryana villages are resorting to buying brides from poorer areas.

Despite this, swaths of Indian society are still in denial.

"Most people don't think it affects them or their class," said Bijayalaxmi Nanda of Caff.

"The problem is almost invisible because women won't admit what has happened, particularly when they have been coerced," Nanda said.

Emotional impact

It is such attitudes that the soap, Atmajaa (Born of the Soul), due to be broadcast on prime-time television this winter, is intended to challenge.

"We wanted the story to have such a strong emotional impact that people wouldn't be able to stop talking about it," said director Madhab Panda.

The soap's central character, Mamta, is forced into a premature Caesarean when her outwardly progressive middle-class husband and mother-in-law discover she is carrying a girl. They hope the baby will die, but Mamta bribes the doctor to take her to an orphanage if she lives.

In India, the view of daughters as a burden stems from the dowry system (despite its illegality), a desire to continue the family line through a male heir, and an interpretation of Hinduism which says a father's last rites must be carried out by his son.

In Mamta's case, the irony is her mother-in-law successfully ran the family business and brought up her family alone after her husband's death.

Yet when a priest reads in her stars that her son will die if Mamta's firstborn is a girl, superstition takes over.

The story follows Mamta's transformation as she meets a campaigner helping other women. When her husband pushes her to have an early and dangerous sex-detection test during her second pregnancy, she stands up to him and eventually leaves.

In her new apartment block, virtually every neighbor has a connection to the issue of the abortion of female fetuses, from the male reporter who exposes illegal clinics to the poor couple who will only get family help if they have a son.

The cast of glamorous actors are being groomed as campaigning ambassadors and their presence has secured newspaper coverage across the country. For Mansi Salvi, who plays Mamta, the soap has been an eye-opener.

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