My friend Brant Rumble showed me his iPod the other day. Brant, who edits books on popular culture for a New York publisher, has just introduced 11,000 songs -- two-thirds of his CD collection -- into iPodian jaws.
The iPod, for the less than hip, looks like a cigarette case with earphones hanging out of it. It's meant mainly, I suppose, for listening while walking around or sitting in the subway or pounding a treadmill in the gym. Brant tells me there have been complaints about the iPod's battery power to go along with the good reports. He also says competitors are hot on its heels with what they think is something better. I could no more recommend the iPod than I could one kind of jet engine over another.
As I write and you read, Brant is probably walking through Rockefeller Plaza with Waterloo Sunset in his ears, but I can't help fantasizing about Brant the Wagnerian, with 180 complete versions of Parsifal held warmly in his hand. Or Brant the Mozartean, with maybe 1,600 symphonies and room left over for an overture or two. Haydn wrote a lot of music, and though I haven't done the arithmetic, I bet that Brant's iPod could swallow the Haydn corpus whole with never a belch.
The best way to deal with abstract ideas of such enormousness is to visualize them in a concrete way. Imagine, for instance, the conductor Herbert von Karajan reduced to the size of an ionized particle.
With effort, I resist ingratitude and acknowledge the convenience of having 45 recordings of Wagner's Ring cycle at my fingertips: A luxury comparable to having one's dry cleaning picked up and delivered. No one in Wagner's lifetime ever made him come to them.
To the beard-strokers and hand-wringers busy divining the future of opera houses and concert halls, the iPod brings news: Some good, some not. Who could complain about this avalanche of music? But who can cope with it? Brant is very organized and curious, but he admits to the pressures of such super-richness. He feels obliged to listen for all he's worth. He doesn't deny that he may not be listening as well as he once did.
If you can listen to everything, you may end up hearing nothing. I sometimes wish half of Brant's iPod were filled with blank spaces. Music cannot begin or end without silence in front and behind. Unending music is not music.
And is it all too easy? Any music critic will tell you that the eager anticipation of new recordings fades with their unsolicited, almost daily flow into the office. Would knowing a little less actually make us smarter, or at least hungrier?
I do wonder if spiritual muscle tone is being softened. Maybe we who walked 10 miles in driving snow to our one-room school-houses learned more. On the other hand, maybe all that walking made us too tired to learn much. Medieval poets and accountants had phenomenal memories because, not being educated to write, they had no choice.
In Brant's aesthetic, music makes walking around more pleasant, like a good pair of shoes. Music as something useful is an idea that Paul Hindemith and other 20th-century composers disillusioned by the overblown Romantic mystique of music pursued, but with limited impact. The elevator-music industry paid heed and made a fortune.
When Brant isn't allowing his iPod to roam at will, he is arranging sets of songs according to where he is and what he is doing. Going to Las Vegas means upbeat and excited; coming back, he wants something soothing, maybe to heal the wounds of loss.
German musicologists told us in the last two centuries that music was sacred; you stopped doing anything else and listened. Another friend suggests that the iPod and devices like it demonstrate the end of communal music. Brant's iPod acts more like a wall than an altar: He on one side, the honking and blaring of a busy city street on the other. That he hasn't been hit by a car while listening to the Kinks speaks for the existence of angels.
The iPod culture is not a sudden event. Record buyers have been taking the opera house into their living rooms for a century.
Composers, once part of a more or less monolithic tradition, have divided and subdivided into separate cells and political wings. Some make music that still sings like Brahms; others, like Karlheinz Stock-hausen, hear music in the rotors of a helicopter hovering overhead.
It may not matter how many are listening to either camp the way they used to. Tchaikovsky would have disappeared long ago were his audiences small and record sales minimal. Today, only a few people actually listen to Anton Webern, but his music will survive and thrive one iPod listener at a time.
Maybe an irreversible progression is under way: More kinds of music, fewer listeners for each kind. Bigger and smaller at the same time. Concert and opera life began with people gathering together to share the pleasure (or annoyance) of one another's company. It may end with one concert hall per listener.
ROLLER-COASTER RIDE: More than five earthquakes ranging from magnitude 4.4 to 5.5 on the Richter scale shook eastern Taiwan in rapid succession yesterday afternoon Back-to-back weather fronts are forecast to hit Taiwan this week, resulting in rain across the nation in the coming days, the Central Weather Administration said yesterday, as it also warned residents in mountainous regions to be wary of landslides and rockfalls. As the first front approached, sporadic rainfall began in central and northern parts of Taiwan yesterday, the agency said, adding that rain is forecast to intensify in those regions today, while brief showers would also affect other parts of the nation. A second weather system is forecast to arrive on Thursday, bringing additional rain to the whole nation until Sunday, it
CONDITIONAL: The PRC imposes secret requirements that the funding it provides cannot be spent in states with diplomatic relations with Taiwan, Emma Reilly said China has been bribing UN officials to obtain “special benefits” and to block funding from countries that have diplomatic ties with Taiwan, a former UN employee told the British House of Commons on Tuesday. At a House of Commons Foreign Affairs Committee hearing into “international relations within the multilateral system,” former Office of the UN High Commissioner for Human Rights (OHCHR) employee Emma Reilly said in a written statement that “Beijing paid bribes to the two successive Presidents of the [UN] General Assembly” during the two-year negotiation of the Sustainable Development Goals. Another way China exercises influence within the UN Secretariat is
LANDSLIDES POSSIBLE: The agency advised the public to avoid visiting mountainous regions due to more expected aftershocks and rainfall from a series of weather fronts A series of earthquakes over the past few days were likely aftershocks of the April 3 earthquake in Hualien County, with further aftershocks to be expected for up to a year, the Central Weather Administration (CWA) said yesterday. Based on the nation’s experience after the quake on Sept. 21, 1999, more aftershocks are possible over the next six months to a year, the agency said. A total of 103 earthquakes of magnitude 4 on the local magnitude scale or higher hit Hualien County from 5:08pm on Monday to 10:27am yesterday, with 27 of them exceeding magnitude 5. They included two, of magnitude
Taiwan’s first drag queen to compete on the internationally acclaimed RuPaul’s Drag Race, Nymphia Wind (妮妃雅), was on Friday crowned the “Next Drag Superstar.” Dressed in a sparkling banana dress, Nymphia Wind swept onto the stage for the final, and stole the show. “Taiwan this is for you,” she said right after show host RuPaul announced her as the winner. “To those who feel like they don’t belong, just remember to live fearlessly and to live their truth,” she said on stage. One of the frontrunners for the past 15 episodes, the 28-year-old breezed through to the final after weeks of showcasing her unique